Universal Properties of Decision-Making

Humanities - Engineering - Natural Sciences - Social Sciences

 

All life forms on earth need to make decisions in one form or another in order to survive, secure the production of offspring, or design and occupy their specific niches in our ecosystem earth. Given a rational, emotional or environmental background, decisions are taken depending on a number of boundary conditions. Decision-making implies deriving output variables from input variables at various different organizational levels. In everyday life, humans constantly are making decisions alone or together with others. They are aware of themselves. We tend to believe that we are coming to conscious and informed decisions. In contrast, simple life forms, e.g. hydra or slime molds, do not have a brain, or do not even possess a neuronal network. Nevertheless, they exhibit complex behavior in order to make an optimal decision securing their survival. More generally, formulating “decision making” as searching for an optimal solution encompasses processes in non-living systems as they occur, e.g., in logistics, telecommunications, or robotics.

 

At universities in Bremen, research on decision-making spans from the humanities and the social sciences via engineering disciplines to the natural sciences. A wide variety of disciplines at the University of Bremen and the Jacobs University are actively contributing to this exciting field of research. In a series of biweekly lectures, speakers will present various disciplines and their specific perspectives, starting this summer term (SS16): What are the mechanisms of these decision processes? Are there common universal properties of decision making independent of the species or specific systems?

 

Upcoming events

Shared experience

Ursula Damm, Brigit Brüggemeier, Bauhaus-Universität Weimar

 

10.01.2018, Rotunde (Cartesium), 16-18 Uhr

 

Kunst ist eine Praxis, die sich durch Originalität und poetisches Vermögen auszeichnet. Ihr Wert manifestiert sich im Individuellen, der erkennbaren „Handschrift“ des Künstlers. Dem steht der Anspruch der Wissenschaft gegenüber, universelle Mechanismen zu beschreiben und diese anwendbar zu machen. Im Vortrag werden künstlerische Experimentalanordnungen und deren Artefakte vorgestellt, welche ermöglichen, die beiden epistemischen Kulturen gegenüberzustellen Abstract

on alternate Wednesdays
16:00 - 18:00

Rotunde, Cartesium
Enrique-Schmidt-Straße 5
28359 Bremen

 

The current program (in German) can be downloaded here (PDF)

 

Further information:

decisions(at)uni-bremen.de